Kévin Amiel (W)

Tenor

Prizesand awards

  • ADAMI 2011
  • AROP 2013
  • Atelier Lyrique de l'Opéra de Paris
  • 1st Prizes at Marmande and Béziers
© Grégoire Camuzet

Kévin Amiel is one of the most talented tenors of the new generation. We can hear him this 2016/2017 season in the role of Paris (La Belle Hélène by Offenbach) at the Théâtre de l'Odéon in Marseille, Flavio (Bellini's Norma) at the Opéra de Saint Etienne, Max (Fantasio by Offenbach) at the Opéra Comique de Paris, Malcolm (Verdi's Macbeth) at the Opéra Grand Avignon, respectively Gherardo and Commendatore in Puccini's Gianni Schicchi and Rota's La Nuit d'un neurasthénique, at the Opéra de Montpellier, and for «Musiques en fête» at Les Chorégies d'Orange.

Kévin Amiel is one of the most talented tenors of the new generation. We can hear him this 2016/2017 season in the role of Paris (La Belle Hélène by Offenbach) at the Théâtre de l'Odéon in Marseille, Flavio (Bellini's Norma) at the Opéra de Saint Etienne, Max (Fantasio by Offenbach) at the Opéra Comique de Paris, Malcolm (Verdi's Macbeth) at the Opéra Grand Avignon, and respectively Gherardo and Commendatore in Puccini's Gianni Schicchi and Rota's La Nuit d'un neurasthénique, at the Opéra de Montpellier.

Among his recent engagements, let us quote his appearances at the Opéra national de Montpellier in the roles of Reporter (L'Hirondelle inattendue by Laks), La Théière, le Petit Vieillard, la Rainette and l'Arithmétique (Ravel's L'Enfant et les sortilèges), Vanderprout le Bourguemestre (Geneviève de Brabant by Offenbach), or accompanied by the Orchestre de l'opéra de Montpellier for the New Year's concert 2016. He also sang Gian Gianni in Milo et Maya by Matteo Franceschini at the Opéra de Rouen, Gastone in La Traviata at the Opéra de Toulon and the solo part in Rossini's Stabat Mater, in Avignon.

Born in Toulouse, Kevin Amiel studied singing with Claude Minich. He won competitions at Beziers, Marmande, Auxerre and at the Opéra de Marseille. He is a classic revelation of ADAMI 2011 and received the AROP Lyric Price in 2013.

He has been invited by Raymond Duffaut at the Opera-Theatre d'Avignon as part of the « Young talents Tremplins » and sang afterwards at the Théâtre du Capitole de Toulouse the role of the Second Notary in La Périchole by Offenbach. At the Opéra de Marseille, he sang the role of Young Man in The Saint of Bleecker Street (Menotti), the Gravedigger in Gounod's Hamlet, took part in Aldo Finzi's Shylock-Psaume and Joseph Beer's creation In Memoriam. Invited to give a concert to help victims of Haïti, he sang excerpts from La Traviata (Alfredo) and La Fille du Régiment (Tonio).

As a member of the Atelier Lyrique de l'Opéra national de Paris, he sang many roles: Podesta (Mozart's La Finta Giardiniera) and Cecco (Haydn's Il Mondo della Luna) at the MC93, and the Male Chorus (Britten's The Rape of Lucretia) at the Athénée Theatre. He took part in many concerts at the Amphithéâtre Bastille and Palais Garnier with the Orchestre de l'Opéra national de Paris and made his debut on the prestigious stage in the rôle of Isepo (Bellini's La Gioconda). He sang afterwards the rôle of Gastone (La Traviata), Ein Offizier (Ariadne auf Naxos by Strauss) and Coryphée (Alceste by Gluck) under the baton of Marc Minkowski.

Kévin Amiel recorded L'Hirondelle inattendue de Simon Laks (Le Reporter) for EDA.

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Scope
(W): Monde (EUR): Europe (F): France (*): Not exclusive (F+): France+Benelux+Switzerland

Photos 

Kevin Amiel - Opéra Garnier 2
Kevin Amiel - Scène
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Kévin Amiel - 4
Kevin Amiel - Portraits
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Videos

Lamento de Federico-L'Arlesiana-Cilea-Musiques en Fêtes 2017 à Orange
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