Aline Martin (W)


© Marc Ginot

After her most recent engagements in the roles of the La Mère (Les Contes d'Hoffmann) at the Opéra de Saint-Etienne, Annina (La Traviata) at the Opéra Grand Avignon and in the Litanies of venerabili altaris sacramento and Thamos, King of Egypt (Mozart) with the Accentus choir and Insula Orchestra (conducted by Laurence Equilbey), mezzo-soprano Aline Martin makes her debut this season 2018/2019 at the Opéra national de Lyon, as Queen Clementine (Offenbach's Barbe   Bleue) and at the Limoges Opera, as Brigitta (Die Tote Stadt   by   Korngold); she also performs French opera arias at the Philharmonie de Paris with the Orchestre Divertimento (conducted by Zahia Ziouani) and the Pergolesi's Stabat Mater, at Remiremont Abbey.
Member of the Opera Studio "Les Jeunes Voix du Rhin" in 2005, then soloist of the CNIPAL in 2006-07, she made her stage debut in 2003; her  career has already led her to sing the roles of Sélyzette (Ariane et Barbe Bleue by Dukas), the 2nd Lady (Die Zauberflöte) and Lapak (The Cunning Little Vixen) at the Opéra National du Rhin, that of the 2nd Lady (Mozart's Die Zauberflöte) and the mezzo solo part of Mahler's 3rd Symphony at the Paris National Opera, the role of La Mère (Offenbach's Les Contes d'Hoffmann) at the theatres of Piacenza, Modena and Reggia Emilia, in Italy; she has been Giovanna (Verdi's Rigoletto) at the Opéra de Marseille and the Opéra national de Lorraine, Rosina (Rossini's Il Barbiere di Siviglia) in a "Young audience" version and Ancella 2 (Medea) at the Opéra national de Lorraine, Stéphano (Roméo et Juliette) on the Opéra de Marseille and Avignon stages, Gertrude (Gounod's Roméo et Juliette) at the Opéra de St-Etienne, Pastuchyna (Jenufa) at the Opéra de Rouen, or the 2nd Lady (Die Zauberflöte), Mercedes (Carmen), Annina (La Traviata) and Giovanna (Rigoletto) at the Soirées lyriques de Sanxay.
She has also performed in concerts in Mozart's and Gouvy's Requiem, Mendelssohn's Elias and Mozart's Great Mass, with the Orchestre national de Lorraine, Pergolesi's Stabat Mater with the Avignon Provence Regional Orchestra, Mozart's Requiem with the Strasbourg Philharmonic Orchestra, and the role of Metella (La Vie Parisienne by Offenbach) with the Orchestre des Concerts Pasdeloup; she also performed Taline, in the oratorio Naissance de David Sassoun    by Garbis Aprikian, at the invitation of the Festival de Musique Sacrée de Marseille, as part of the Year of Armenia.
In recital he has been heard at the Opéra national de Bordeaux, the Maison de Radio-France, the Musée des Beaux-Arts de Nancy, the Foyers des Opéras de Marseille and Avignon.
With the Orchestre national de Lorraine, she recorded Le Petit Elfe  for  Timpani, which won the Diapason d'Or award in March 2014.

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Aline Martin - Stage
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Aline Martin- Portraits
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3ème Symphonie de Mahler - 4ème mouvement
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