His formidable ease on stage is accompanied by equally remarkable vocal qualities.
Pierre Cadars - Opéra Magazine
L'Elisir d'Amore - Théâtre du Capitole de Toulouse 2020
Nominated at the "Victoires de la Musique classique 2020" in the category "Most promising lyrical artist", winner of numerous singing competitions (Voix Nouvelles 2018, Vienne 2019, Opéra de Marseille, Marmande, Béziers...), classical revelation of the ADAMI in 2011 and AROP's award winner in 2013, he was also a member of the Atelier Lyrique de l'Opéra National de Paris between 2011 and 2014, making his debut at this period on the main stage, in the roles of Isepo (La Gioconda), Gastone (La Traviata), Ein Offizier (Ariadne auf Naxos) and Coryphée (Alceste).
He already sang the roles of Alfredo (La Traviata) and Nemorino (L'Elisir d'Amore) at the Théâtre du Capitole in Toulouse and at the Opéra national de Bordeaux, Nadir (Les Pêcheurs de perles) at the Teatro Regio in Turin, Almaviva (Il Barbiere di Siviglia) at the Opéra de Toulouse, Rodolphe in a French adaptation of Puccini's La Bohème by Marc-Olivier Dupin at the Opéra Comique, the title role in Les Contes d'Hoffmann in an adapted version of the work for the Dijon Opera, Flavio (Norma) at the Rouen Opera, the Muscat Opera (Oman) and the Saint-Etienne Opera, Nicias (Thaïs) at Opéra de Limoges, Malcolm (Macbeth) at the Avignon, Massy, Limoges and Reims Opera Houses, Gonzalve (L'Heure espagnole) with the Orchestre National du Capitole de Toulouse and many other roles at the Marseille, Montpellier, Bordeaux and Toulon Operas.
In 2020, his tribute concerts to Pavarotti with the Orchestre de Cannes (conducted by Benjamin Levy) were a huge success.
To be noticed for his 2022/2023 season : Lord Arthur (Lucie de Lammermoor) at the Opéra de Tours and Fenton (Falstaff) at Opéra de Lille.
Kévin Amiel has been represented by the agency RSB Artists since 2014.