Soprano Amel Brahim-Djelloul continues on her luminous and singular path, rich in her two cultures. The 2024/2025 season bears witness to this, with concerts including the orchestral premiere of CD program "Les chemins qui montent" with the Orchestre de Cannes conducted by Benjamin Levy, concerts in the USA with the Amedyez ensemble, in France with Jérôme Correas’s Les Paladins, and with guitarist Thomas Keck.

A graduate of the CNSMD in Paris, as well as of William Christie's "Jardin des Voix" and nominated in the "Most promising lyrical artist" category of the Victoires de la Musique classique 2007, she quickly sang many roles of the repertoire: Susanna (Le Nozze di Figaro) at Angers-Nantes Opéra and at the Opéra de Lausanne, Despina (Così fan tutte) at the Opéra de Nice, Servilia (La clemenza di Tito) at the Opéra de Paris and the Festival d'Aix en Provence, but also The Princess (L'Enfant et les sortilèges), Ninette (L'amour des trois oranges) and Suor Genovieffa (Suor Angelica) at the Opéra de Paris, the title role of Messager's Véronique at the Théâtre du Châtelet, Gabrielle (La Vie Parisienne) at Angers-Nantes Opera, Nanetta (Falstaff) at the Théâtre des Champs-Elysées, Adina (L'Elisir d'Amore) and Pamina (Die Zauberflöte) at the Opéra d'Avignon, Andreloun (Mireille) at the Chorégies d'Orange, Hébé, Fatime and Phani (Les Indes Galantes) at the Opéra national de Bordeaux and the Concertgebouw in Bruges, or Drusilla, Amore and Valletto in various productions of L'Incoronazione di Poppea (Opéra de Paris, Théâtre des Champs-Elysées, Berlin Staatsoper, Théâtre de la Monnaie in Brussels, Grand Théâtre de Genève, Opéras de Lille and Dijon), to name a few.

Regularly invited by many orchestras (Orchestre national de France, National Symphony Orchestra of Washington, Orchestre Philharmonique Royal de Liège, National Philharmonic Orchestra of Ukraine, Orchestre Philharmonique de Strasbourg, Orchestre des concerts Pasdeloup, Orchestre Symphonique National Algérien, Orchestre national d'Ile-de-France, Orchestre Philharmonique du Maroc...) and ensembles (Les Arts Florissants, Le Poème Harmonique, Les Paladins, Il Caravaggio, 2E2M, Mezwej, Les Talens Lyriques, Quatuor Debussy...), Amel Brahim-Djelloul broadens each season her range of personal projects which often link East and West, such as the programs "L'Orgue du Sultan" (with Achéron and Sultan Veld), "Les 1001 Lunes de la Princesse Boudour" (with Aymeric Lecerf and Nicolas Jouve), the "Populaires" recital (with Nicolas Jouve), "Canciones" (with C Barré) as well as her Mediterranean programs with the Amedyez Ensemble.

Her discography includes numerous opuses, like recitals with pianists Anne Le Bozec ("Les 1001 nuits") and Nicolas Jouve ("Populaires"), as well as a program of works from the Arab-Andalusian heritage ("Amel chante la Méditerranée") adapted by her brother, violinist and musicologist Rachid Brahim-Djelloul, and performed with the Amedyez Ensemble.

Amel Brahim-Djelloul is the artistic director of the association Nour with whom she sets up various projects ranging from teaching to the production of new shows and recordings.

She has been represented by RSB Artists since 2010.

We no longer need to introduce Dominique Visse, his musical eclecticism, his extraordinary personality.

Dominique Visse joined the Maîtrise de Notre-Dame de Paris at the age of 11. At the same time, he began studying organ and flute, which he completed at the Conservatoire national de Versailles. Passionate about medieval and Renaissance music, he met in 1976 the great pioneer of the counter tenor voice, Alfred Deller and became his student. He also worked with Nigel Rogers, René Jacobs and William Christie.

In 1978, Dominique Visse founded the Ensemble Clément Janequin with whom he recorded a series of discs of French polyphonic songs from the Renaissance with Harmonia Mundi, which had become true references in this repertoire. The following year, he joined Les Arts Florissants as a singer and transcriber of the ensemble. Since then, Dominique Visse has become one of the most sought-after  artists in the world of Baroque opera, collaborating with René Jacobs, Jean-Claude Malgoire, William Christie, Philippe Herreweghe, Ton Koopman, Alan Curtis, Nicholas MacGegan, Christophe Rousset, Robert King, Ivor Bolton, Harry Bicket, Emmanuelle Haïm and Vincent Dumestre ... on the stages of the world most prestigious Opera houses  in Paris, Berlin, London, Cologne, Amsterdam, Lausanne, Tel Aviv, Houston, Barcelona, Brussels, Munich ...    and at the Festivals of Glyndebourne, Aix-en-Provence, Innsbruck and Edinburgh.

He was also invited to participate in the creation of contemporary works such as Wonderful Deluxe by Brice Pauset at the Grand Théâtre de Luxembourg, Outis by Luciano Berio at La Scala in Milan, Perela, l'homme de fumée by Pascal Dusapin at the Paris Opera, La Frontière by Philippe Manoury at the Bouffes du Nord, La Dispute by Benoît Meunier at the Monnaie in Brussels, this season, he takes over the role of the Damned (Il Viaggio, Dante by Pascal Dusapin) at the Paris Opera, after its premiere in 2022 at the Aix-en-Provence Festival.

As a conductor, his recent engagements include collaborations with the Café Zimmermann ensemble and Aedes, with the Atelier lyrique de Tourcoing (Charpentier's David and Jonathas), and with the Hungarian Radio Symphony Orchestra and the Hungarian Radio Choir (Mass by Alessandro Striggio).
Dominique Visse has made over a hundred recordings, mainly for the Harmonia Mundi label.

He is represented by RSB Artists since 2011.