Soprano Amel Brahim-Djelloul continues to pursue a luminous and singular path, enriched by her dual cultural heritage.

A graduate of the CNSMD de Paris, she trained at William Christie’s “Jardin des Voix” and was nominated in 2007 in the “Révélation Lyrique” category at the Victoires de la Musique Classique. She quickly took on numerous operatic roles: Susanna (Le Nozze di Figaro) at Angers-Nantes Opéra and the Opéra de Lausanne, Despina (Così fan tutte) at the Opéra de Nice, Servilia (La clemenza di Tito) at the Opéra de Paris and the Festival d’Aix-en-Provence, as well as La Princesse (L’Enfant et les Sortilèges), Ninette (L’Amour des Trois Oranges), and Suor Genovieffa (Suor Angelica) at the Opéra de Paris, the title role in Véronique by Messager at the Théâtre du Châtelet, Gabrielle (La Vie Parisienne) at Angers-Nantes Opéra, Nanetta (Falstaff) at the Théâtre des Champs-Élysées, Adina (L’Elisir d’Amore) and Pamina (Die Zauberflöte) at the Opéra d’Avignon, Andreloun (Mireille) at the Chorégies d’Orange, Hébé, Fatime, and Phani (Les Indes Galantes) at the Opéra National de Bordeaux and the Concertgebouw in Bruges, and Drusilla, Amore, and Valletto in various productions of L’Incoronazione di Poppea (Opéra de Paris, Théâtre des Champs-Élysées, Staatsoper Berlin, Théâtre de la Monnaie in Brussels, Grand Théâtre de Genève, Opéras de Lille and Dijon), to name just a few.

She is regularly invited by many orchestras (Orchestre National de France, National Symphony Orchestra of Washington, Orchestre Philharmonique Royal de Liège, National Philharmonic of Ukraine, Orchestre Philharmonique de Strasbourg, Orchestre des Concerts Pasdeloup, Orchestre National de Cannes, Orchestre Symphonique National Algérien, Orchestre National d’Île-de-France, Orchestre Philharmonique du Maroc...) and ensembles (Les Arts Florissants, Le Poème Harmonique, Les Paladins, Il Caravaggio, 2E2M, Mezwej, Les Talens Lyriques, Quatuor Debussy…), and expands each season her range of personal projects, often bridging East and West: L’Orgue du Sultan (with L’Achéron and Sultan Veld), Les 1001 Lunes de la Princesse Boudour (with Aymeric Lecerf and Nicolas Jouve), Des chants et des rives with guitarist Thomas Keck, Populaires (with Nicolas Jouve), Canciones (with Ensemble C Barré), and her Mediterranean programs with Ensemble Amedyez.

Her discography includes numerous recordings, including more personal projects: Les Chemins qui montent (a tribute to Kabyle songs), recitals with pianists Anne Le Bozec (Les 1001 nuits) and Nicolas Jouve (Populaires), as well as a program of arabo-Andalusian heritage works (Amel chante la Méditerranée) arranged by her brother, violinist and musicologist Rachid Brahim-Djelloul, and performed with Ensemble Amedyez.

Amel Brahim-Djelloul is artistic director of the association Nour, through which she develops a variety of projects ranging from education to the production of new performances and recordings.

She has been represented by RSBA since 2010.

After studying at the Conservatoire national supérieur de musique et danse de Paris and the University of Vienna, Anna Reinhold made her stage debut under the direction of William Christie as part of his academy Le Jardin des Voix; this led to numerous engagements with Les Arts Florissants, both in Europe and America.

She now collaborates regularly with many conductors and ensembles: Leonardo García Alarcón (Cappella Mediterranea), Raphaël Pichon (Pygmalion), Laurence Equilbey (Accentus and Insula Orchestra), Jonathan Cohen (Balearic Islands Symphony Orchestra, ensemble Arcangelo and Orchestre d’Auvergne), Vincent Dumestre (Poème Harmonique), Simon-Pierre Bestion (La Tempête), Ryan Brown (Opéra Lafayette), John Butt (Orchestre d’Edinburgh), Josh van Veldhoven (Bachvereniging), Jonathan Cohen (Nederlands Philharmonisch Orkest and Orchestre d’Auvergne), Andrea Marcon (La Cetra Barockorchester Basel), Giovanni Antonini (Il Giardino Armonico), Stephan Macleod (Gli Angeli Genève)…

In opera, this season she performs Proserpina and Speranza (L’Orfeo) at the Opéra d’Avignon under the direction of Jordi Savall; she has previously sung the title role in L’Italiana in Algeri (Rossini) and Mélisande (Pelléas et Mélisande by Debussy) at the Atelier lyrique de Tourcoing, L’Italiana in Algeri at the Théâtre des Champs-Élysées, Cybèle (Atys by Lully) at the Opéra Royal de Versailles and the Brooklyn Academy of Music, Menesto (Elena by Cavalli) at the Festival d’Aix-en-Provence, Pandora (El Prometeo by Draghi) at the Opéra de Dijon, the Kitchen Boy (Rusalka) at the Opéra de Massy, Flamel (Fantasio), Adèle and Al Cirbec (Le Mystère de l’écureuil bleu by Marc-Olivier Dupin) at the Opéra Comique, and the Second Chambermaid (Le Nain by Zemlinsky) at the Théâtre de Caen.

Highly regarded for her interpretations of concert and chamber music repertoire, Anna Reinhold sings this season El amor brujo by De Falla with the Orchestre de Caen; she is a regular guest at festivals such as Les Musicales de Colmar (Pierrot Lunaire by Schönberg, Wesendonck Lieder by Wagner, Lieder eines fahrenden Gesellen by Mahler...), the Kaposvár Festival and the Budapest Festival Academy in Hungary, the Cork Festival in Ireland; she recently performed Britten’s cantata Phaedra with the Orchestre régional de Normandie and appears in duo with guitarist and lutenist Quito Gato, in both baroque (Lagrime mie) and popular (Mi corazón español) programs.

She also founded the ensemble Il Caravaggio with harpsichordist Camille Delaforge, which performs in France and abroad in French and Italian baroque repertoire.

Anna Reinhold has recorded numerous albums, notably with Raphaël Pichon and ensemble Pygmalion (Messe en si by Bach), lutenist Thomas Dunford (Labirinto d’Amore), Cappella Mediterranea conducted by Leonardo García Alarcón (Heroines of the Venetian Baroque), Les Arts Florissants under William Christie (N’espérez plus, mes yeux, Bien que l’Amour, Si vous vouliez un jour), and ensemble Il Caravaggio (Madonna della Grazia)…

Anna Reinhold has been represented by RSB Artists agency since 2013.

A highly sought-after tenor both in opera and concert, Kaëlig Boché performs during the 2025–2026 season in the roles of Piquillo (La Périchole) at the Opéra de Saint-Étienne, the Chaplain (Dialogues des Carmélites) at the operas of Nancy and Marseille, Toby (Robinson Crusoé) at the operas of Rennes and Angers-Nantes, and Jean-Pierre (Route Fleurie) at the Théâtre de l’Odéon in Marseille.

Originally from Brittany, he began singing at a young age, joining the Children’s Choir of Brittany and later the Advanced Department for Young Singers at the CRR of Paris. He then studied with Élène Golgevit at the Conservatoire National Supérieur de Musique et de Danse de Paris, where he earned a Master’s degree in Vocal Performance, and was subsequently a member of the Studio at the Opéra National de Lyon.

Winner of several competitions (Toulouse 2017, Marseille 2018, Mâcon 2019, and Marmande 2022), he has also received numerous excellence scholarships and foundation awards (Fondation l’Or du Rhin, Académie du Musée d’Orsay – Fondation Royaumont, Fondation des Treilles, Malvina and Denise Menda Scholarship from the Opéra-Comique), and was named “Classical Revelation 2017” by ADAMI. He is currently part of the 2023/24 cohort of Génération Opéra.

In recent seasons, he took part in the major tour of Offenbach’s Le Voyage dans la Lune with Génération Opéra, performing the role of Quipasseparla at the Opéra de Marseille and then at the operas of Nice, Rouen, Limoges, Vichy, Clermont-Ferrand, and Compiègne.

He has previously sung Gomatz (Zaide) at the operas of Rennes, Angers-Nantes, and Avignon, Laërte (Hamlet) at the Opéra de Massy, Pedrillo (Die Entführung aus dem Serail) and Roderigo (Otello) at the Opéra de Saint-Étienne, the Sailor’s Voice and the Shepherd (Tristan und Isolde) at the Opéra de Lille, Remendado (Carmen) at the operas of Massy and Toulon, Cossé (Les Huguenots) and Hawart (Sigurd) at the Opéra de Marseille, Pasquin (Le Docteur Miracle) in Tours and Poitiers, the Innkeeper (Der Traumgörge) at the operas of Nancy and Dijon, the Teapot, the Little Old Man, and the Tree Frog (L’Enfant et les Sortilèges) at the operas of Lyon, Muscat (Oman), Avignon, and Tours, Torquemada (L’Heure espagnole) at the operas of Avignon and Tours, Dancaïre (Carmen) at the Opéra de Dijon, and the First Armed Man (Die Zauberflöte) at the Opéra de Rouen.

He has also been heard as Tamino (Die Zauberflöte) at the Symphonies d’Automne Festival in Mâcon, Don Riccardo (Ernani) with the Orchestre de l’Opéra National de Lyon, Edwige (Fervaal by Vincent d’Indy) at the Festival Radio France in Montpellier, La Rose (L’Isola d’Alcina by Gazzaniga) with the ensemble L’Arte del mondo in Leverkusen, and as Brother Massée (Saint François d’Assise) at the Messiaen Festival.

In concert, he has sung Britten’s Les Illuminations with the Orchestre National d’Île-de-France, Les Illuminations again, Mozart’s Coronation Mass, and Schubert Lieder with the Orchestre Régional de Normandie, Britten’s Serenade for Tenor, Horn and Strings with the Orchestre de Massy, Honegger’s King David with the Orchestre National des Pays de la Loire, Mozart’s Coronation Mass with the Orchestre de Cannes, Schubert’s Stabat Mater with the Orchestre Dijon Bourgogne, Berlioz’s L’Enfance du Christ (as narrator) with the Orchestre de Chambre Nouvelle-Aquitaine, Bach’s Magnificat with Le Concert de l’Hostel Dieu, and Haydn’s The Creation at Notre-Dame Cathedral in Paris.

A passionate interpreter of Lied and French mélodie, Kaëlig Boché regularly performs in recital with pianists Jeanne Vallée, Célia Oneto-Bensaid, Thomas Tacquet, Sébastien Joly, Tanguy de Williencourt, and Adam Laloum.

Kaëlig Boché has been represented by RSB Artists since 2017.

Awarded a "Victoire de la Musique Classique" in the “Révélation artiste lyrique” category in 2008, Thomas Dolié’s career first took off alongside Peter Brook, during the French and then international tour of his adaptation of La Flûte enchantée.

He went on to perform roles such as Le Comte, Figaro, Guglielmo, Golaud, Escamillo, Marcello, Ramiro, and Fritz, among others, on stages including the Opéra de Paris, Opéra de Zurich, Gran Teatre del Liceu, Teatro Real Madrid, Komische Oper Berlin, Oper Köln, Opéra Royal de Wallonie, Opéra Comique, and the opera houses of Bordeaux, Toulouse, Lyon, Strasbourg, Avignon, and Versailles.

Placing equal importance on the embodiment of text and character as on music, Thomas Dolié is regularly invited to perform oratorio, Lied, and concert opera repertoire with orchestra, notably with the CMBV and Palazzetto Bru Zane, contributing to the rediscovery of French baroque and romantic repertoire.

He has been heard in L’Enfance du Christ with the Orchestra of La Scala in Milan and the Gürzenich Orchester, Lieder eines fahrenden Gesellen by Mahler with the Orchestre National Bordeaux-Aquitaine, L’Île du Rêve by Hahn with the Münchner Rundfunkorchester, L’Heure Espagnole with the London Symphony Orchestra, Pelléas et Mélisande with the Deutsche Kammerphilharmonie Bremen, Werther with the Hungarian National Orchestra, Grisélidis with the Orchestre de l’Opéra de Montpellier, as well as La Passion selon Saint-Jean with Accentus and Insula Orchestra, Beethoven’s 9ème Symphonie with the Orchestre National de Lyon, La Passion selon Saint-Matthieu with Les Musiciens du Louvre, Fauré’s Requiem with the Orchestre National Bordeaux Aquitaine, Gürzenich-Orchester Köln and Insula Orchestra, and Brahms’ Requiem with the Orquestra Simfònica de Barcelona i Nacional de Catalunya.

He has also collaborated with numerous baroque ensembles under the direction of conductors such as Raphaël Pichon, György Vashegyi, René Jacobs, Marc Minkowski, Leonardo García Alarcón, Emmanuelle Haïm, Vincent Dumestre, Hervé Niquet, and Christophe Rousset, and gives recitals with pianists including Olivier Godin, Anne Le Bozec, and Susan Manoff.

Highlights for the 2025–2026 season include L’Horloge et le Chat / L’Enfant et les sortilèges at the Oper Frankfurt, Papageno (Die Zauberflöte) at the Opéra de Bordeaux, Brander (La Damnation de Faust) at the Théâtre des Champs-Élysées, Hérode and Le Père de famille (L’Enfance du Christ) in Budapest, Pollux (Castor et Pollux) with Cappella Mediterranea, and Beethoven’s 9ème Symphonie with the Orchestre National Avignon Provence.

Thomas Dolié has been represented by RSB Artists since 2009.

Pianist, coach for singers, Nicolas Jouve completed his musical studies in Chambéry, Grenoble, Paris (CRR and CNSMD) then Vienna (Universität für Musik) in Walter Moore's Lied class.

Always attracted by the repertoire of ensemble music, he has been approaching the world of opera singers for about twenty years, first through the repertoire of Lied and French melody, then through opera.

Accompanist at the CNSMD of Lyon since 2003 (singing class of Françoise Pollet then clarinet class of Nicolas Baldeyrou), he is also regularly invited as a coach at the Opéra national de Lyon, for the preparation of opera productions (about twenty productions, ranging from Purcell to Thierry Escaich, via Mozart and Offenbach).

In parallel with his concert activity (recitals in Europe and Japan), he has recorded four discs, with soprano Amel Brahim-Djelloul (Album " Populaires "), mezzo-soprano Anaïk Morel, tenor Julien Behr (melodies by Charles Koechlin) and the female vocal ensemble Calliope (Album Lili Boulanger, Fauré, Debussy and album " Gustav Holst ").

Since 2014, he has also been Artistic Delegate of the RSB artists agency, which accompanies the international careers of some thirty singers and conductors of opera orchestras.