Soprano Amel Brahim-Djelloul continues to pursue a luminous and singular path, enriched by her dual cultural heritage.

A graduate of the CNSMD de Paris, she trained at William Christie’s Jardin des Voix and was nominated in 2007 in the “Révélation Lyrique” category at the Victoires de la Musique Classique. She quickly took on numerous operatic roles: Susanna (Le Nozze di Figaro) at Angers-Nantes Opéra and the Opéra de Lausanne, Despina (Così fan tutte) at the Opéra de Nice, Servilia (La clemenza di Tito) at the Opéra de Paris and the Festival d’Aix-en-Provence, as well as La Princesse (L’Enfant et les sortilèges), Ninette (L’Amour des Trois Oranges), and Suor Genovieffa (Suor Angelica) at the Opéra de Paris, the title role in Véronique by Messager at the Théâtre du Châtelet, Gabrielle (La Vie Parisienne) at Angers-Nantes Opéra, Nanetta (Falstaff) at the Théâtre des Champs-Élysées, Adina (L’Elisir d’Amore) and Pamina (Die Zauberflöte) at the Opéra d’Avignon, Andreloun (Mireille) at the Chorégies d’Orange, Hébé, Fatime, and Phani (Les Indes Galantes) at the Opéra National de Bordeaux and the Concertgebouw de Bruges, as well as Drusilla, Amore, and Valletto in various productions of L’Incoronazione di Poppea (Opéra de Paris, Théâtre des Champs-Élysées, Staatsoper Berlin, Théâtre de la Monnaie in Brussels, Grand Théâtre de Genève, Opéras de Lille and Dijon), to name just a few.

Regularly invited by numerous orchestras (Orchestre national de France, National Symphony Orchestra de Washington, Orchestre Philharmonique Royal de Liège, National Philharmonic d’Ukraine, Orchestre Philharmonique de Strasbourg, Orchestre des Concerts Pasdeloup, Orchestre national de Cannes, Orchestre Symphonique National Algérien, Orchestre national d’Île-de-France, Orchestre Philharmonique du Maroc...) and ensembles (Les Arts Florissants, Le Poème Harmonique, Les Paladins, Il Caravaggio, 2E2M, Mezwej, Les Talens Lyriques, Quatuor Debussy…), Amel Brahim-Djelloul expands each season her range of personal projects, often bridging East and West: L’Orgue du Sultan (with L’Achéron and Sultan Veld), Les 1001 Lunes de la Princesse Boudour (with Aymeric Lecerf and Nicolas Jouve), Des chants et des rives with guitarist Thomas Keck, Populaires (with Nicolas Jouve), Canciones (with Ensemble C Barré), as well as her Mediterranean programs with Ensemble Amedyez.

Her discography includes numerous recordings, including more personal projects: Les Chemins qui montent (a program paying tribute to Kabyle songs), recitals with pianists Anne Le Bozec (Les 1001 nuits) and Nicolas Jouve (Populaires and later Croquis d’Orient, to be released in 2027), as well as a program of arabo-Andalusian heritage works (Amel chante la Méditerranée) arranged by her brother, violinist and musicologist Rachid Brahim-Djelloul, and performed with Ensemble Amedyez.

Amel Brahim-Djelloul is artistic director of the association Nour, through which she develops a wide range of projects, from education to the production of new performances and recordings.

She has been represented by RSBA since 2010.

After studies at the Conservatoire national supérieur de musique et de danse de Paris and the Universität Wien, Anna Reinhold made her stage debut under the direction of William Christie within his academy Jardin des Voix, followed by numerous engagements with Les Arts Florissants, both in Europe and in America.

She has collaborated with many conductors and ensembles: Leonardo García Alarcón (Cappella Mediterranea), Raphaël Pichon (Pygmalion), Laurence Equilbey (Accentus and Insula Orchestra), Jonathan Cohen (Balearic Islands Simphony Orchestra, Ensemble Arcangelo and Orchestre d’Auvergne), Vincent Dumestre (Le Poème Harmonique), Simon-Pierre Bestion (La Tempête), Ryan Brown (Opéra Lafayette), John Butt (Orchestre d’Edinburgh), Josh van Veldhoven (Bachvereniging), Jonathan Cohen (Nederlands Philharmonisch Orkest and Orchestre d’Auvergne), Andrea Marcon (La Cetra Barockorchester Basel), Giovanni Antonini (Il Giardino Armonico), Stephan Macleod (Gli Angeli Genève), Francesco Corti (Les Ambassadeurs)…

In opera, she has performed the title role in L’Italiana in Algeri by Rossini and Mélisande (Pelléas et Mélisande by Debussy) at the Atelier lyrique de Tourcoing, L’Italiana in Algeri at the Théâtre des Champs-Élysées, Cybèle (Atys by Lully) at the Opéra Royal de Versailles and at the Brooklyn Academy of Music, Menesto (Elena by Cavalli) at the Festival d’Aix-en-Provence, Proserpina and Speranza (L’Orfeo) at the Opéra d’Avignon under the direction of Jordi Savall, Pandora (El Prometeo by Draghi) at the Opéra de Dijon, Le Garçon de cuisine (Rusalka) at the Opéra de Massy, Flamel (Fantasio), Adèle and Al Cirbec (Le Mystère de l’écureuil bleu by Marc-Olivier Dupin) at the Opéra Comique, and La Deuxième camériste (Der Zwerg by Zemlinsky) at the Théâtre de Caen.

Particularly appreciated for her interpretations of concert and chamber repertoire, Anna Reinhold has recently performed El amor brujo by De Falla with the Orchestre de Caen and the cantata Phaedra by Britten with the Orchestre régional de Normandie. She is a regular guest at festivals such as Les Musicales de Colmar (Pierrot Lunaire by Schönberg, Wesendonck Lieder by Wagner, Lieder eines fahrenden Gesellen by Mahler…), the Festival de Kaposvár and the Budapest Festival Academy in Hungary, and the Festival de Cork in Ireland. She has recently performed Phaedra by Britten with the Orchestre régional de Normandie and appears in duo with guitarist and lutenist Quito Gato, in both baroque programs (Lagrime mie) and popular repertoire (Mi corazón espanol).

She also co-founded the ensemble Il Caravaggio with conductor Camille Delaforge.

Anna Reinhold has recorded numerous albums, notably with Raphaël Pichon and Ensemble Pygmalion (Messe en si by Bach), lutenist Thomas Dunford (Labirinto d’Amore), Cappella Mediterranea conducted by Leonardo García Alarcón (Heroines of the Venetian Baroque), Les Arts Florissants under William Christie (N’espérez plus, mes yeux, Bien que l’Amour, Si vous vouliez un jour), and Ensemble Il Caravaggio (Madonna della Grazia).

Anna Reinhold has been represented by RSBA since 2013.

French tenor with a clear and luminous voice, Kaëlig Boché is one of the rising figures of the operatic scene. Renowned for his musical elegance as much as for his ability to inhabit radically different worlds—from Wagnerian drama to Offenbachian fantasy, from comedy to tragedy, from Mozart to Britten, as well as Poulenc and Bizet—he is now in demand both on the operatic stage and in concert.

During the 2026–2027 season, he makes his debut as Ferrando (Così fan tutte) at Angers-Nantes Opéra and the Opéra de Rennes, reprises the role of Piquillo (La Périchole) at the Opéra de Marseille, where he also performs Pang (Turandot), Andreloun (Mireille), and Bobinet (La Vie parisienne).

Originally from Rennes, he began singing at a very young age, joining the Chœur d’Enfants de Bretagne before entering the Conservatoire National Supérieur de Musique et Danse de Paris, where he obtained a First Prize Master’s degree in vocal performance. He later became a member of the Studio of the Opéra national de Lyon and of the Académie Orsay-Royaumont, and has won numerous competitions (Toulouse 2017, Marseille 2018, Mâcon 2019, and Marmande 2022). He was named “Révélation Classique 2017” by ADAMI and is a member of the 2023/2024 cohort of Génération Opéra.

In opera, he has already performed numerous roles including Tamino (Die Zauberflöte), Gomatz (Zaide), Pedrillo (L’Enlèvement au Sérail), Piquillo (La Périchole), Toby (Robinson Crusoé), Quipasseparla (Le Voyage dans la Lune), Torquemada (L’Heure espagnole), Laërte (Hamlet), L’Aumônier (Dialogues des Carmélites), Remendado (Carmen), Roderigo (Otello), and Der Hirte (Tristan und Isolde). He has appeared in most major French venues—Philharmonie de Paris, Opéra Royal de Versailles, Festival Radio France de Montpellier, Cathédrale Notre-Dame de Paris, Angers-Nantes Opéra, and the operas of Marseille, Lille, Lyon, Nice, Avignon, Toulon, Nancy, Saint-Étienne, Dijon, Rennes, Rouen, Limoges, Tours, and Massy—as well as internationally, including the Festspiele Schwetzingen, Oldenburg, Leverkusen, the Festival de Lucerne, Liège, and even in India in Mumbai and New Delhi.

In concert, he has performed with the Orchestre de l’Opéra national de Lyon, the Orchestre national d’Île-de-France, the Orchestre régional de Normandie, the Orchestre national des Pays de la Loire, the Orchestre National de Metz, the Orchestre Dijon Bourgogne, the Orchestre de Cannes, and the Orchestre de Chambre Nouvelle-Aquitaine, in works such as Les Illuminations and Sérénade pour cor, ténor et cordes by Britten, Schubert Lieder, Mozart’s Messe du Couronnement and Requiem, Le Roi David by Honegger, and L’Enfance du Christ by Berlioz.

On disc, he highlights lesser-known repertoire: Alexandre Dumas et la musique (Alpha), Aimer à loisir (BRecords), as well as mélodies by Jean Cartan and by Breton composers. He also collaborates with numerous artists, including Éléonore Pancrazi (A voce di a terra) and Hervé Joulain (Horn Universe).

Kaëlig Boché has been represented by RSBA since 2017.

Awarded a Victoire de la Musique Classique in the category "Most promising Artist" in 2008, Thomas Dolié’s career first took off alongside Peter Brook, on the occasion of the French and then world tour of his adaptation of The Magic Flute.

He then embodied the roles of the Count, Figaro, Guglielmo, Golaud, Escamillo, Marcello, Ramiro, or Fritz, to name but a few, on stages such as the Paris Opera, the Zurich Opera, the Gran Teatre del Liceu, the Teatro Real Madrid, the Komische Oper in Berlin, the Cologne Opera, the Frankfurt Opera, the Opéra Royal de Wallonie, the Opéra Comique, or even the operas of Bordeaux, Toulouse, Lyon, Strasbourg, Avignon, Versailles.

Thomas Dolié is regularly invited to sing the repertoire of oratorio, Lieder or opera in concert version with orchestra, particularly at the CMBV and the Palazetto Bru-Zane, thus participating in the rediscovery of the French baroque and romantic repertoire.

He was heard in L'Enfance du Christ with the Scala Orchestra of Milan and the Gurzenich Orchester, Mahler’s Lieder eines farentoure Gesellen with the Orchestre national Bordeaux-Aquitaine, Hahn’s L'Île du Rêve with the Münchner Rundfunkorchester, L'Heure Espagnole with the London Symphony Orchestra, Pelléas et Mélisande with the Deutsche Kammerphilharmonie de Brême, Werther with the Hungarian National Orchestra, Grisélidis with the Montpellier Occitanie National Orchestra, but also the Passion selon Saint-Jean with the Accentus choir and Insula Orchestra, Beethoven’s 9th Symphony with the Orchestre national de Lyon and the Orchestre national Avignon Provence, the Passion selon Saint-Matthieu with the Musiciens du Louvre, Fauré’s Requiem with the Orchestre national de Bordeaux Aquitaine, the Gurzenich-Orchester Köln or Insula Orchestra, Brahms' Requiem with the Orquestra simfònica de Barcelona i nacional de Catalunya...

He has also collaborated with many baroque ensembles, led by conductors such as Raphaël Pichon, György Vashegyi, René Jacobs, Marc Minkowski, Leonardo García Alarcón, Emmanuelle Haïm, Vincent Dumestre, Hervé Niquet or Christophe Rousset and gives recitals with piano alongside Olivier Godin, Anne Le Bozec, Susan Manoff...

To be noted for his 2026-2027 season: La Bête (Beauty and the Beast) at the Théâtre du Châtelet, Hérode (L'Enfance du Christ) with the Orchestra Sinfonica Siciliana, concerts with the Orchestre national de Bordeaux Aquitaine, the Orchestre national de Montpellier Occitanie, the Orchestre Consuelo, or a recital with pianist Olivier Godin, in Montreal.

Thomas Dolié has been represented by the agency RSB Artists since 2009.

Pianist, coach for singers, Nicolas Jouve completed his musical studies in Chambéry, Grenoble, Paris (CRR and CNSMD) then Vienna (Universität für Musik) in Walter Moore's Lied class.

Always attracted by the repertoire of ensemble music, he has been approaching the world of opera singers for about twenty years, first through the repertoire of Lied and French melody, then through opera.

Accompanist at the CNSMD of Lyon since 2003 (singing class of Françoise Pollet then clarinet class of Nicolas Baldeyrou), he is also regularly invited as a coach at the Opéra national de Lyon, for the preparation of opera productions (about twenty productions, ranging from Purcell to Thierry Escaich, via Mozart and Offenbach).

In parallel with his concert activity (recitals in Europe and Japan), he has recorded four discs, with soprano Amel Brahim-Djelloul (Album " Populaires "), mezzo-soprano Anaïk Morel, tenor Julien Behr (melodies by Charles Koechlin) and the female vocal ensemble Calliope (Album Lili Boulanger, Fauré, Debussy and album " Gustav Holst ").

Since 2014, he has also been Artistic Delegate of the RSB artists agency, which accompanies the international careers of some thirty singers and conductors of opera orchestras.