François Rougier (W)
After studying at Sciences-Po and at the conservatory (with Paul Guigue and Cécile Fournier) in Grenoble, François Rougier was quickly noticed as a tenor to follow: laureate of the 22nd International Singing Competition of Clermont-Ferrand in 2011 and finalist of the 18th Symphonies d'Automne in Mâcon, he participates in 2013 at the first Académie de l'Opéra Comique. He has been a member of the New Favart troupe of the Opéra Comique since 2018.
In 2006, Mirella Giardelli offered him his first roles with Platée and Ferrando, in two shows adapted from the operas of Rameau and Mozart, with the Atelier des Musiciens du Louvre. In 2012, he discovers the work of the director Alexandra Lacroix in Haydn's Il Mondo della Luna (where he sings the role of Cecco) and then in Offenbach's La Chatte métamorphosée en femme (role of Guido) at the Musée d'Orsay. Following this, he became involved with her company, a place of research and experimentation in the field of musical theater, and participated as an associate artist in a triptych of shows based on Bach's Passions (Et le coq chanta..., D'autres le giflèrent, Puis il devint invisible), under the musical direction of Christophe Grapperon, as well as in the recital reading Voix intimes 14-18 and in a performative research on Bizet's Carmen.
From 2014 to 2016, he participates in the CFPL tour of Sauguet's Les Caprices de Marianne (role of Coelio), on the stages of the Capitole de Toulouse, the Opéra national de Bordeaux, and the operas of Marseille, Limoges, Tours and Reims.
His vocal as well as scenic qualities make him a regular guest on many major opera stages: the Opéra national de Paris (Les Huguenots, La Traviata, Carmen), the Opéra comique de Paris (Le Domino Noir, Madame Favart, Ciboulette, Cendrillon, Ali Baba ), the Royal Opera of Wallonia-Liège (Le Domino Noir), the Opéra de Lille (Nabucco), the Festival Radio France de Montpellier (Fervaal), the Berlioz Festival in La Côte Saint-André (La Prise de Troie), the operas of Nantes and Rennes (L'Inondation by Filidei and Pommerat), the Opéra royal de Versailles (La Périchole with the Musiciens du Louvre), the Historical Theater of Trondheim in Norway (Grétry's Raoul de Barbe-Bleue), the Opéra de Rouen (L'Île de Tulipatan and Ali Baba), the Opéra de Limoges (Il Trovatore and Madame Favart), the Opéra de Saint-Etienne (L'Île de Tulipatan and Le Marchand de Venise) .
In the Oratorio repertoire (Bach's Passions, Saint-Saëns' Oratorio de Noël, Handel's Messiah, Beethoven's C Mass...) he has performed with ensembles and orchestras such as the Orchestre Philharmonique de Monte-Carlo, the Gulbenkian Foundation Orchestra (conducted by Michel Corboz), the Choeur du Capitole de Toulouse, La Chapelle rhénane, Opera fuoco, the Ensemble baroque de Toulouse...
Among his projects for the 2020/2021 season are the roles of Marinoni (Offenbach's Fantasio) at the Opéra Comique, Juliano (Le Domino Noir) at the Opéra de Lausanne, Dikson (La Dame Blanche) at the Opéra de Limoges, Cynalopex (Saint-Saëns's Phryné) with the Orchestre de l'Opéra de Rouen, the show Persées ( conceived by Alexandra Lacroix, which combines the Persian Melodies of Saint-Saëns with stories of Iranian and Afghan migrants at the Porte de la Chapelle) and Voi[e. x.s] Chapelle Charbon, a lyrical creation in situ at Porte de la Chapelle, with the MPDA - Alexandra Lacroix Company, or the Evangelist in Bach's Johannes Passion at the Halle aux grains with the Ensemble baroque de Toulouse.