Soprano Amel Brahim-Djelloul continues to pursue a luminous and singular path, enriched by her dual cultural heritage.

A graduate of the CNSMD de Paris, she trained at William Christie’s “Jardin des Voix” and was nominated in 2007 in the “Révélation Lyrique” category at the Victoires de la Musique Classique. She quickly took on numerous operatic roles: Susanna (Le Nozze di Figaro) at Angers-Nantes Opéra and the Opéra de Lausanne, Despina (Così fan tutte) at the Opéra de Nice, Servilia (La clemenza di Tito) at the Opéra de Paris and the Festival d’Aix-en-Provence, as well as La Princesse (L’Enfant et les Sortilèges), Ninette (L’Amour des Trois Oranges), and Suor Genovieffa (Suor Angelica) at the Opéra de Paris, the title role in Véronique by Messager at the Théâtre du Châtelet, Gabrielle (La Vie Parisienne) at Angers-Nantes Opéra, Nanetta (Falstaff) at the Théâtre des Champs-Élysées, Adina (L’Elisir d’Amore) and Pamina (Die Zauberflöte) at the Opéra d’Avignon, Andreloun (Mireille) at the Chorégies d’Orange, Hébé, Fatime, and Phani (Les Indes Galantes) at the Opéra National de Bordeaux and the Concertgebouw in Bruges, and Drusilla, Amore, and Valletto in various productions of L’Incoronazione di Poppea (Opéra de Paris, Théâtre des Champs-Élysées, Staatsoper Berlin, Théâtre de la Monnaie in Brussels, Grand Théâtre de Genève, Opéras de Lille and Dijon), to name just a few.

She is regularly invited by many orchestras (Orchestre National de France, National Symphony Orchestra of Washington, Orchestre Philharmonique Royal de Liège, National Philharmonic of Ukraine, Orchestre Philharmonique de Strasbourg, Orchestre des Concerts Pasdeloup, Orchestre National de Cannes, Orchestre Symphonique National Algérien, Orchestre National d’Île-de-France, Orchestre Philharmonique du Maroc...) and ensembles (Les Arts Florissants, Le Poème Harmonique, Les Paladins, Il Caravaggio, 2E2M, Mezwej, Les Talens Lyriques, Quatuor Debussy…), and expands each season her range of personal projects, often bridging East and West: L’Orgue du Sultan (with L’Achéron and Sultan Veld), Les 1001 Lunes de la Princesse Boudour (with Aymeric Lecerf and Nicolas Jouve), Des chants et des rives with guitarist Thomas Keck, Populaires (with Nicolas Jouve), Canciones (with Ensemble C Barré), and her Mediterranean programs with Ensemble Amedyez.

Her discography includes numerous recordings, including more personal projects: Les Chemins qui montent (a tribute to Kabyle songs), recitals with pianists Anne Le Bozec (Les 1001 nuits) and Nicolas Jouve (Populaires), as well as a program of arabo-Andalusian heritage works (Amel chante la Méditerranée) arranged by her brother, violinist and musicologist Rachid Brahim-Djelloul, and performed with Ensemble Amedyez.

Amel Brahim-Djelloul is artistic director of the association Nour, through which she develops a variety of projects ranging from education to the production of new performances and recordings.

She has been represented by RSBA since 2010.

After studying piano, chamber music and accompaniment, winning three 1st prizes at the Paris Conservatoire (in the classes of Theodor Paraskivesco, Anne Grappotte and David Walter), Anne Le Bozec took the Lied Konzertexamen in Karlsruhe in the class of Hartmut Höll. Numerous masterclasses with Leonard Hokanson, Tabea Zimmerman, Gundula Janowitz and Dietrich Fischer-Dieskau have provided an opportunity for decisive musical and human encounters. Anne Le Bozec has received grants from the Fondation pour la vocation Bleustein-Blanchet, the Yamaha Music Foundation and the Kunststiftung Baden-Württemberg, and has also won international competitions for soloists (Guérande, 1st Prize), Lied (Hugo Wolf in Stuttgart and Lili Boulanger in Paris, Best Pianist Prize), and Flute-Piano Duo (Schubert und die Moderne in Graz, 2nd Prize).

Her chamber music partners include singers Marc Mauillon, SunHae Im, Isabelle Druet, Sabine Devieilhe, Amel Brahim-Djelloul, Konstantin Wolff, Christian Immler, Philippe Huttenlocher, Didier Henry, cellist Alain Meunier, flutist Sandrine Tilly and violinist Olivia Hughes; She has also played with Karen Vourc'h, Roland Hermann, Emmanuelle Bertrand, Christian Ivaldi, the Ardeo and Parisii quartets, and the Moraguès quintet. She has performed in the most intimate concert halls, as well as at major music venues such as the Salle Pleyel, the Cité de la Musique, the Orangerie de Sceaux, the Opéra Royal de Versailles, the Opéra Bastille, the Musée d'Orsay, the Associazione Scarlatti Napoli and the Rheingau Musik Festival, the Schwetzinger Festspiele, the Sommets musicaux de Gstaad, the Musikverein Wien, the Hamburg, Cologne and Luxembourg Philharmonic Orchestras, the Amsterdam Concertgebouw, the Palau de la musica in Barcelona and Valencia, the Kumho Art Hall, the Seoul Art Center and Tokyo's Epta Hall.

Working with the body is an essential part of her artistic approach: she has worked under the direction of director Catherine Dune on Ravel's unexpected Enfant et les sortilèges, and with choreographer Hans-Werner Klohe on his Hugo Wolf Projekt.

Many of her recordings devoted to the Lied repertoire (Schubert, Mahler, Szymanowski, Wolf, Duparc, Brahms) have received enthusiastic reviews: his Wanderer with baritone Christoph Sökler was awarded the Orphée d'or du disque lyrique, and his recent complete works of Chopin songs with soprano Urszula Cuvellier is already considered a benchmark. A complete set of Beethoven sonatas for cello and piano with Alain Meunier was released in September 2013. In 2014, two recordings dedicated to the Musicians of the Great War were released on the Hortus label, in duo with Marc Mauillon and Alain Meunier, to rave reviews from the international press. A third is planned for 2015-16.

Anne Le Bozec teaches vocal accompaniment at the Paris Conservatoire. For five years she directed the only German class in French mélodie at the Karlsruhe Hochschule. She teaches master classes all over the world.